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Visualizing Feeling: Affect and the Feminine Avant-garde ebook

by Susan Best


"Visualizing Feeling develops a compelling argument for focusing on precisely the centrality of affect and feeling in any understanding of the art of the 1960s and 1970s, where it seemed that affect no longer had a place.

"Visualizing Feeling develops a compelling argument for focusing on precisely the centrality of affect and feeling in any understanding of the art of the 1960s and 1970s, where it seemed that affect no longer had a place. In exploring the work of four powerful and sometimes neglected women artists, she shows how it is paradoxically where affect is consciously minimized that it nevertheless returns to haunt the art work as its most powerful force. Art works affect before they inform, perform or communicate.

By introducing feeling to the analysis of this period, Susan Best. In many instances, the opposition between reason and affect is not. only pursued, it is entrenched

By introducing feeling to the analysis of this period, Susan Best. Visualizing Feeling also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. only pursued, it is entrenched. As Clare Hemmings notes in her careful critique of this.

Visualizing Feeling book. Goodreads helps you keep track of books you want to read. Start by marking Visualizing Feeling: Affect and the Feminine Avant-garde as Want to Read: Want to Read savin. ant to Read.

Visualizing Feeling also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art. Год: 2011.

Visualizing Feeling: Affect and the Feminine Avant-garde. Read the introduction from Susan Best's award winning book, Visualizing Feeling, which focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha. Read on the Scribd mobile app. Download the free Scribd mobile app to read anytime, anywhere. TaurisReleased: Jul 25, 2012ISBN: Format: book.

Her book, Visualizing Feeling: Affect and the Feminine Avant-garde focuses on four artists of. .

Personal Name: Best, Susan

Personal Name: Best, Susan. Publication, Distribution, et. New York Rubrics: Avant-garde (Aesthetics) Women artists History 20th century Emotions in art. Download now Visualizing feeling : affect and the feminine avant-garde Susan Best. Download PDF book format. Download DOC book format.

Is late modern art "anti-aesthetic?" What does it mean to label a piece of art "affectless?" These traditional characterizations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists--Eva Hesse, Lygia Clark, Ana Mendieta, and Theresa Hak Kyung Cha--and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analyzed in detail. Visualizing Feeling also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.
Visualizing Feeling: Affect and the Feminine Avant-garde ebook
Author:
Susan Best
Category:
History & Criticism
Subcat:
EPUB size:
1228 kb
FB2 size:
1668 kb
DJVU size:
1987 kb
Language:
Publisher:
I.B.Tauris; 1st edition (August 15, 2011)
Pages:
204 pages
Rating:
4.3
Other formats:
docx txt mbr azw
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