Jazz Religion, the Second Line, and Black New Orleans ebook

Richard Brent Turner explores the history and contemporary significance of second lines-the group of dancers who .

Richard Brent Turner explores the history and contemporary significance of second lines-the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.

In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions. n outstanding study of jazz religion and the second line in New Orleans, the 'most African city' in the US. This study is both personal and academic. If you are interested in New Orleans jazz, Voodoo, Haiti, and what underlies these important topics, this is definitely the book to have on hand for frequent reference. The author has done a splendid job, and the reader will find this book a helpful treasure of reading material.

Jazz Religion, the Second Line, and Black New Orleans. Richard Brent Turner. Скачать (pdf, . 3 Mb).

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In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals

In his new book, Richard Brent Turner explores the history and contemporary significance of the popular religious traditions, identities, and performance forms celebrated in the second lines of the jazz street parades of black New Orleans. The second line is the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals. Here musical and religious traditions interplay. Jazz Religion, the Second Line, and Black New Orleans examines the relationship of jazz to indigenous religion and spirituality.

Richard Brent Turner-Professor of Religious Studies and African American Studies at the University of Iowa-attempts to analytically disentangle (or at least teases out) the interwoven musical and religious, and cultural and political traditions of West and Central Africa, and Haiti as they ar. .

Richard Brent Turner-Professor of Religious Studies and African American Studies at the University of Iowa-attempts to analytically disentangle (or at least teases out) the interwoven musical and religious, and cultural and political traditions of West and Central Africa, and Haiti as they are experienced in black New Orleans. In other words, he traces the necessary entanglements of race, religion, politics, and music for black folks in New Orleans

Richard Brent Turner explores the history and contemporary significance of second lines-the group of.

Richard Brent Turner explores the history and contemporary significance of second lines-the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans's jazz street parades. Here music and religion interplay, and Turner's study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. The inspiration for this book can be traced to Sidney Bechet’s reflections about New Orleans music in Treat It Gentle: An Autobiography: jazz is there in that bend in the road in the American South and you gotta treat it gentle.

The New Orleans Jazz & Heritage Festival holds second lines at the Fair Grounds each day of the festival to give visitors a. Richard Brent Turner (11 August 2009). Bloomington, Indiana: Indiana University Press.

The New Orleans Jazz & Heritage Festival holds second lines at the Fair Grounds each day of the festival to give visitors a taste of this New Orleans tradition. Historically, the parades were unofficial events and sometimes had an air of menace. A second line parade was featured in the 1973 James Bond film Live and Let Die. In 2010, the opening scene in the pilot episode, as well as the season one finale of the HBO series Tremé featured a second line parade and journalists championed second line.