The Yellow Wallpaper ebook

by Charlotte Perkins Gilman

The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine

The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.

Full online text of The Yellow Wallpaper by Charlotte Perkins Gilman

Full online text of The Yellow Wallpaper by Charlotte Perkins Gilman. Then she said that the paper stained everything it touched, that she had found yellow smooches on all my clothes and John's, and she wished we would be more careful! Did not that sound innocent? But I know she was studying that pattern, and I am determined that nobody shall find it out but myself!

Book by Gilman, Charlotte Perkins.

Book by Gilman, Charlotte Perkins. The 13-digit and 10-digit formats both work.

Charlotte Perkins Gilman was America’s leading feminist intellectual of the early twentieth century. It is certainly a story that would have appealed to his own obsession with the horrors of the mind. The building tension from a fairly typical domestic scene to the final horrors is so gothic and is still sending a cascade of shivers down my spine. Charlotte Perkins Gilman grew up under the tutelage of women who believed strongly in equality.

The Yellow Wallpaper by Charlotte Gilman - is a much celebrated and classic tale by one of the worlds most loved authors. This work is considered an important early work in feminist literature and one which explored issues about women’s health.

LIFE IS a verb, Charlotte Perkins Gilman wrote at the dawn of the twentieth century. 1 From girlhood to old age, she invented new forms of the verb her own living might take. Here I am, she declares as a teenager, in the world, conscious, able to do this or that. What is it all about?

LIFE IS a verb, Charlotte Perkins Gilman wrote at the dawn of the twentieth century. What is it all about? How does it work? What is my part in it, my job-what ought I to do? 2 She calls her autobiography, published after her death in 1935, The Living of Charlotte Perkins Gilman, and the unexpected rhythm of its title is a deliberate choice, active gerund rather than static noun.

Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. This work is considered an important early work in feminist literature and one which explored issues about women’s health, both physical and mental. Short Stories Fiction.

Электронная книга "The Yellow Wallpaper and Other Stories", Charlotte Perkins Gilman. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "The Yellow Wallpaper and Other Stories" для чтения в офлайн-режиме.

A woman gradually suffers a mental breakdown as a result of confinement and denial of her creative energies by her husband.

Tejar

“The Yellow Wallpaper” is definitely the masterpiece of this collection. If that was the only story that Gilman ever wrote – it would be enough to guarantee her a place in literature's Hall of Fame. It's a work of genius, giving shattering insight into someone deteriorating into insanity under the pressures of a restrictive, patronizing society.

That story alone would make this book worthwhile. But here you get a bonus of six extra stories and a thumbnail biography of Gilman. In general, the other stories aren't very good. They are about how women (and one man) free themselves from the dreariness of childcare and domestic life in general – and get to follow more creative pursuits. But it always happens too easily, too fast. Circumstances and other people become all too readily willing to accommodate the freedom-seeker. The women who seek release are too quickly able to convert the men in their lives into seeing the advantages of women's liberation. So although these stories are the product of early 20th century feminist aspirations, it's the men who most often are idealized on these pages. The stories are turned into unrealistic strains of wishful thinking and romantic escapism. Although in one story, “If I Were a man,” Gilman does recognize the dual stereotypes many men impose on women when they view them in Madonna/loose woman alternative.

However, Gilman shows herself to be perhaps a bit too prone to stereotyping life when she assumes that raising children must always be a dull burden. Her stories contain no inkling that such an occupation might be as stimulating as embroidery or giving music lessons – that there might be a Zen of housework that both men and women could sometimes find creative release in practicing. So although “Wallpaper” is a five-star story, I have to demote this book overall to just four stars.

Just one of the of the other stories besides “Wallpaper” goes a little deeper into cross-currents of motive. That story is “The Cottagette.” This is about two women friends who go to a cottage retreat where meals are prepared by a staff at a central lodge. The place seems to be a kind of artists' colony. It's an ideal place, offering the women freedom from humdrum chores. But then both women begin to like the same man at the colony. Then the reader can't be completely sure whether it's solicitousness or sabotage that creeps in to undermine life at the cottagette.

This is a very small book, pamphlet-size – perfect for reading in bed. Except, don't turn your eyes from the book's pages and start to examine the wallpaper in your bedroom. You never know what you'll start to see there...

Cashoutmaster

I originally read this story back in high school. I had this uber feminist English teacher who had us reading everything from The Awakening to The Handmaid's Tale. I was way more closed minded and stubborn back then (ok, I'm still really stubborn) and definitely did not share in her feministic views. However, somehow, this short story always stayed with me.

So imagine my surprise when I am reading this book and I come across the backstory as to why Gilman wrote The Yellow Wallpaper. A Civil War doctor use to prescribe what he called "rest cure" for different ailments (mainly mental health related, although they certainly didn't categorize it as such back then). For men, he sent them out West, to be outdoors with other people, hunting, being active, relaxing. But for women, he sentenced them to confinement. Told them they needed to be in an isolated, dark room with no visitors and no stimulation. And people actually accepted this!

Well, most did. Gillman, one of his patients, rejected the idea so soundly that she produced The Yellow Wallpaper as a result. (Apparently Virginia Woolf also met with the doctor and had a similar response). This fact made me think I misjudged this short story all those years ago. So I took to rereading it. With this new knowledge of how it came about (and I am sure a more mature and open mindset), I was able to see just how inspired, angry, and good Gilman's story really is.

Wafi

Two years or so before I had the pleasure of reading "The Yellow Wallpaper" for the first time. High school is not the optimal place to read stories as different as this short story because most classmates do not appreciate the art of literary writing, but most importantly the teacher you have can make or break the experience of reading said pieces. It was no surprise at all that after finishing my second read through, I found I had missed a lot of jewels in this little trove.

This short story follows a woman's mental leaps between relating what's going in her life (she had a baby, her husband is a doctor, etc.) and her strong feelings against the yellow wallpaper in her and her husband's room. Mrs. Gilman's notes about the story later revealed that the reason the main protagonist sounded mentally ill but not melodramatically so was because the author herself went through the "rest cure", which nearly drove her into a mental breakdown before she decided to ignore the guidance of her doctor and return to work.

There are many themes you can glean from the text. It can 1) be an inside look at how women were treated pre-suffrage, 2) be used as honest proof that postpartum depression is and has been a real struggle mothers have had to face for centuries, or 3) be a little Gothic horror story that explores what happens in the mind of the mentally ill.

Below are two of my favorite quotes because they're just so chilling in depth:

"I don't like to LOOK out of the windows even--there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wall-paper as I did?" (loc. 378).

"I've got out at last in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" (loc. 388).

Overall, I like to look at is as both a haunting Gothic piece of fiction and as an inside look of how it feels to slowly go mad. The fact that the narrator started believing there was a woman locked in behind the bars of the paper could very well be her own mind's way making sense of the cage holding it back. It's also moving that at the end the narrator say she feels most at home around the wallpaper she'd spited through the majority of her entries.

This massive little story just goes to show how complex our minds truly are, and the dangers that unfold when a mind is oppressed. I highly recommend purchasing an ebook version so as to take plenty of notes while reading.