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Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Film Culture in Transition) ebook

by Tim Bergfelder,Sarah Street,Sue Harris


Tim Bergfelder, Sue Harris, Sarah Street.

Tim Bergfelder, Sue Harris, Sarah Street. Скачать (pdf, . 1 Mb).

Tim Bergfelder, Sue Harris, Sarah Street Other readers will always be interested in your opinion of the books you've read. European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design. Based on a wealth of drawings, film stills, and archival documents from the period, this volume illuminates the emerging significance of transnational artistic collaboration in light of developments in Britain, France, and Germany. Other readers will always be interested in your opinion of the books you've read.

European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design.

Start by marking Film Architecture and the Transnational Imagination . For the first time, Film European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design.

For the first time, Film European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design. Visionary designers such as Vincent Korda and Alfred Junge extended their influence across national film industries in Paris, London, and Berlin, transforming the studio system into one of permeable artistic communities.

From the Inside Flap. In Film Architecture and the Transnational Imagination wordt verteld hoe grote Europese filmstudio's in Berlijn, Parijs en Londen dienden als artistieke broedplaatsen. Ze boden werkgelegenheid voor artiesten, architecten en ontwerpers van binnenlandse en buitenlandse bodem. Sarah Street is Professor of Film at the University of Bristol.

For the first time, Film Architecture and the Transnational Imagination provides a comparative study of European film set design . 31. Imagining Space in Late Weimar Cinema.

Based on a wealth of drawings, film stills, and archival documents from the period, this volume illuminates the emerging significance of transnational artistic collaboration in light of developments in Britain, France, and Germany. 109. French Cinema in the 1930s Space Place and National Identity. 169. Set Design Style and Genre in 1930s British Cinema.

Series: Film Culture in Transition. European cinema from the late 1920s to the late 1930s is famous for its attention to detail in terms of set design and visual effect. Published by: Amsterdam University Press.

in 1930s European Cinema by Tim Bergfelder, Sue Harris & Sarah Street. Visionary designers such as Vincent Korda and Alfred Junge extended their influence across national film industries in Paris, London, and Berlin, transforming the studio system into one of the permeable artistic communities.

Tim Bergfelder Sue Harris Sarah Street.

Based on a wealth of designers' drawings, film stills and archival documents, the book offers a new insight into the development and significance of transnational artistic collaboration during this period. European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Tim Bergfelder Sue Harris Sarah Street.

Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam University Press- Film Culture in Transition). Cinema after Fascism: The Shattered Screen (Studies in European Culture and History). Urban Mindscapes of Europe (European Studies 23) (European Studies: An Interdisciplinary Series in European Culture, History and Politics).

European cinema between World Wars I and II was renowned for its remarkable attention to detail and visual effects in set design. Visionary designers such as Vincent Korda and Alfred Junge extended their influence across national film industries in Paris, London, and Berlin, transforming the studio system into one of permeable artistic communities. For the first time, Film Architecture and the Transnational Imagination provides a comparative study of European film set design in the late 1920s and 1930s.  Based on a wealth of drawings, film stills, and archival documents from the period, this volume illuminates the emerging significance of transnational artistic collaboration in light of developments in Britain, France, and Germany.  A comprehensive analysis of the practices, styles, and function of interwar cinematic production design, Film Architecture and the Transnational Imagination offers new insight into the period’s remarkable achievements and influence on subsequent generations.
Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Film Culture in Transition) ebook
Author:
Tim Bergfelder,Sarah Street,Sue Harris
Category:
Movies
Subcat:
EPUB size:
1429 kb
FB2 size:
1203 kb
DJVU size:
1682 kb
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Publisher:
Amsterdam University Press (September 15, 2007)
Pages:
336 pages
Rating:
4.2
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