Handbook of multichannel recording ebook

by F. Alton Everest

F. Alton Everest Antiques and Collectibles English

Handbook of Multichannel Recording Paperback – December 10, 1982. as written by a scholar for a 1975 audience

Handbook of Multichannel Recording Paperback – December 10, 1982. by. F. Alton Everest (Author). as written by a scholar for a 1975 audience. Forty years hence, it seems more history book than lesson on modern multi-channel studio work, but presents a clear and useful overview of acoustics, sound, and the mechanics of building and using a studio space. The basic instructions on acoustics and microphone technique remain valid today.

Handbook of multichannel recording Hardcover – 1975.

Alton Everest was a leading acoustics consultant. Ken C. Pohlmann is well known as an audio educator, consultant, and author. He is professor emeritus at the University of Miami in Coral Gables, consultant for many audio manufacturers and car makers, and author of numerous articles and books including Principles of Digital Audio.

The master handbook of acoustics. The Future of Multichannel.

Handbook of Multichannel Recording book. Book by Everest, . lton.

Build your own acoustic environments such as recording studios, control rooms, and home listening rooms with expert insights from two engineering professionals. Measure sound-pressure levels and work with decibels. Analyze the characteristics of room modal resonances.

Alton Everest, a leading expert and authority in the field of acoustics, was an emeritus member of the Acoustical Society of America, a life member of the Institute of Electrical and Electronics Engineers, and life fellow of the Society of Motion Picture and Television Engineers. Pohlmann (Miami, FL) was director of the Music Engineering Technology program and is professor emeritus at the University of Miami in Coral Gables.

The book covers practical and theoretical aspects of absorbers and .

Practical Instruction on the Art and Science of Acoustic Design and Architecture. Показать полность. uild your own acoustic environments such as recording studios, control rooms, and home listening rooms with expert insights from two engineering professionals.

Master Handbook of Acoustics. 641 Pages · 2006 · 6 MB · 738 Downloads ·English. When you talk, you are only repeating what you already know. But if you listen, you may learn something new.

Goodman

This book delivers exactly what it promised...as written by a scholar for a 1975 audience. Forty years hence, it seems more history book than lesson on modern multi-channel studio work, but presents a clear and useful overview of acoustics, sound, and the mechanics of building and using a studio space. The basic instructions on acoustics and microphone technique remain valid today. The equipment suggestions are archaic and obsolete, but the brand names mentioned which still exist are the best available. Those archaic and obsolete portions...the history...are merely a quarter of this book. Perhaps a deep read might illuminate those more arcane terms and controls within modern computer technology. I find it amazing that the author mentions the probability of computers dominating the recording process, in 1975, which nearly makes him a prophet.

As it stands, any student of sound and music recording should have this in their library. They should buy every F. Alton Everest book written. This fellow is a legend who helped guide generations of engineers and producers. There are few books written which provide this encompassing a background in the techniques and habits of modern recording studios.

Perhaps someone can make a graphic novel out of it, for those who require more excitement from their textbooks.

Sincerely,
John

Nikobar

MOST BORING BOOK I EVER LOOKED AT.THIS SUBJECT CAN BE DRY ANY WAYS BUT THE AUTHOR HAS MANAGED TO ACHEIVE A NEW LEVEL HERE.

Neol

+1 Amazon Customer John.
I'm a former (retired) audio engineer and commercial recording studio owner. This book is one of the best of its time, and the basics are universal and timeless. Written well before Autotune and DAWs, when capturing a great sound actually required chops, talent, and creativity in the studio and at the control console.