Handbook of Phenomenological Aesthetics (Contributions To Phenomenology) ebook

by Hans Rainer Sepp,Lester Embree

Hans Rainer Sepp Lester Embree Humanities English

Handbook of Phenomenological Aesthetics (Contributions To Phenomenology). Hans Rainer Sepp, L. Embree.

Handbook of Phenomenological Aesthetics (Contributions To Phenomenology). Download (pdf, . 6 Mb) Donate Read. Epub FB2 mobi txt RTF.

Series: Contributions To Phenomenology (Book 59).

ISBN-13: 978-9048124701. The potentiality of phenomenological aesthetics is enormous, many figures have contributed to it during a time span of over a century, but this is the first work thoroughly to show its breadth, depth, and continuing fecundity. Moritz Geiger, Roman Ingarden, Fritz Kaufmann, Jean-Paul Sartre, Maurice Merleau-Ponty, and Mikel Dufrenne are the central figures and receive substantial treatment. Series: Contributions To Phenomenology (Book 59).

Contributions to Phenomenology.

The potentiality of phenomenological aesthetics is enormous, many figures have contributed to it during a time span of over a century, but this is the first work thoroughly to show its breadth, depth, and continuing fecundity. Contributions to Phenomenology.

Handbook of Phenomenological Aesthetics book. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. The situation has been similar with phenomenological ethics. A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003.

Items related to Handbook of Phenomenological Aesthetics (Contributions. Handbook of Phenomenological Aesthetics (Contributions To Phenomenology). Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being.

Дата издания: 2009 Серия: Contributions to Phenomenology Язык: ENG Иллюстрации: Biography . Описание: The potentiality of phenomenological aesthetics is enormous.

Дата издания: 2009 Серия: Contributions to Phenomenology Язык: ENG Иллюстрации: Biography Размер: 260 x 193 Читательская аудитория: Professional & vocational Рейтинг: Поставляется из: Германии Описание: This is the first work to thoroughly show the breadth, depth and continuing fecundity of phenomenological aesthetics. This title includes over two dozen entries on such topics such as dream, empathy, enjoyment, imagination, sensation, imagination, on style, ecology, gender, and interculturality, and then on areas including architecture, film, and theater.

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Handbook of Phenomenological Aesthetics Phenomenological aesthetics never denies this hedonistic component of. .

Handbook of Phenomenological Aesthetics. Book · January 2010 with 50 Reads. How we measure 'reads'. Phenomenological aesthetics never denies this hedonistic component of aesthetic experience, and relates it mainly to the perceiver’s experience rather than to artistic creation. The rigorous and systematized application of phenomenology to the study of film has been a comparatively late development in film studies. Embree, Lester, Sepp, Hans Rainer.

Books related to Handbook of Phenomenological Aesthetics. Phenomenology of Perception.

Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.