Nikolaj Gumilev and Neoclassical Modernism: The Metaphysics of Style (Slavische Literaturen) ebook

by Raoul Eshelman

Nikolaj Gumilev and Neocl. has been added to your Cart. The Author: Raoul Eshelman was born in Munich, Germany in 1956. After graduating from Rutgers University with a . in Political Science, he continued his studies at the University of Constance, where he obtained his P.

Nikolaj Gumilev and Neocl. At present he is Assistant Professor in the Slavic Department of Hamburg University. He has also taught at Rutgers/Newark and Berkeley. Series: Slavische Literaturen (Book 3).

Start by marking Nikolaj Gumilev and Neoclassical Modernism: The . The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation.

Start by marking Nikolaj Gumilev and Neoclassical Modernism: The Metaphysics of Style as Want to Read: Want to Read savin. ant to Read. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valery and Gide.

The Metaphysics of Style. Series: Slavische Literaturen. Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism

The Metaphysics of Style. Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism.

Are you sure you want to remove Nikolaj Gumilev and neoclassical modernism from your list? . the metaphysics of style. Slavische Literaturen ;, Bd.

Are you sure you want to remove Nikolaj Gumilev and neoclassical modernism from your list? Nikolaj Gumilev and neoclassical modernism. Published 1993 by Peter Lang in Frankfurt am Main, New York. Modernism (Literature), History and criticism, Neoclassicism (Literature), French literature, Russian literature, Criticism and interpretation. N. Gumilev (1886-1921). 3. Classifications.

New York: Peter Lang, 1993. Anthony Anemone (a1). College of William and Mary.

Nikolaj Gumilev and Neoclassical Modernism: The Metaphysics of Style, by Raoul Eshelman, Frankfurt, Peter Lang, 1993

Nikolaj Gumilev and Neoclassical Modernism: The Metaphysics of Style, by Raoul Eshelman, Frankfurt, Peter Lang, 1993. Nikolai Gumilev: Issledovaniia i materialy. Bibliografta, St. Petersburg, 1994.

Raoul Eshelman currently works at the Department II - Griechische und Lateinische, Romanische .

Raoul Eshelman currently works at the Department II - Griechische und Lateinische, Romanische, Italienische und Slavische Philologie, Sprachen und Kommunikation, niversity of Munich.

Nikolaj Gumilev and neoclassical modernism : the metaphysics of style by Raoul Eshelman( Book .

Nikolaj Gumilev and neoclassical modernism : the metaphysics of style by Raoul Eshelman( Book ). Nikolaĭ Gumilev : zhiznʹ rasstreli︠a︡nnogo poėta by Vladimir Polushin( Book ). Gumilev i russkiĭ Parnas : materialy nauchnoĭ konferent︠s︡ii 17-19 senti︠a︡bri︠a︡ 1991 . Book . A collection of selected verse from Nikolai Gumilev, one of the most beloved Russian poets of the early 20th century. His poetry is characterized by a stylistic complexity, philosophical depth, and an intensely personal element.

Slavische Literaturen. Other books in this series. Nikolaj Gumilev and Neoclassical Modernism. By (author) Maja Linthe. 14% off. Sirenen Und Kometen.

Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism. The present study seeks to explain this marginal position by reinterpreting Gumilev's work within the broader context of a modernist aesthetic of order, or «neo-classical modernism.» The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valéry and Gide.